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American literature --- African American authors --- History and criticism.
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'I began writing about power because I had so little', Octavia E. Butler once said. Butler's life as an African American woman - an alien in American society and among science fiction writers - informed the powerful works that earned her an ardent readership and acclaim both inside and outside science fiction. Gerry Canavan offers a critical and holistic consideration of Butler's career. Drawing on her personal papers, he tracks the false starts, abandoned drafts, tireless rewrites, and real-life obstacles that fed her frustrations and launched her triumphs.
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By analyzing slave narratives, emigration polemics, and black-authored fiction pieces, Stone reveals many reflections of injury, illness, disease, and disability, but she also highlights the equally numerous emphases on well-being by black authors.
African Americans --- American literature --- African American intellectuals --- Intellectual life. --- African American authors --- History and criticism.
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Applying critical race theory to contemporary African American children’s and young adult literature, this book explores one key racial issue that has been overlooked both in race studies and literary scholarship—internalised racism. By systematically examining the issue of internalised racism and its detrimental psychological effects, particularly towards the young and vulnerable, this book defamiliarises the very racial issue that otherwise has become normalised in American racial discourse, reaffirming the relevance of race, racism, and racialisation in contemporary America. Through readings of works by Jacqueline Woodson, Sharon G. Flake, Tanita S. Davis, Sapphire, Rosa Guy, and Nikki Grimes, Suriyan Panlay develops a new critical discourse on internalised racism by studying its effects on marginalised children, its manifestations, and the fictional narrative strategies that can be used to regain and reclaim a sense of self.
Children's literature --- American literature --- Racism in literature --- Literature, Modern --- Literature, Modern --- African American authors --- America
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This book examines the various psychosocial and sexual ordeals of African American people living with HIV or AIDS (PLWH/PLWAs) as depicted in African American literary narratives dealing with HIV/AIDS published from 1980 to 2010. Central to these texts are the psychosocial and sexual challenges faced by the African American PLWH/PLWAs and the various adaptive strategies they choose to come to terms with their HIV/AIDS identity.Although PLWH/PLWAs irrespective of race confront these brutal realities, the intersection of a mythologized black sexuality, homophobia and intra-community marginalizat
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While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
American literature --- Religion and literature --- Religion in literature. --- African Americans in literature. --- Black people --- African American authors --- History and criticism. --- History --- Race identity
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Literature --- Children's literature --- American literature --- Children's literature, American --- Children's literature, American --- Children --- African American authors --- African American artists --- African Americans in literature --- Authors, Black --- Artists, Black --- Illustrators --- Black people in literature --- Black authors --- Bio-bibliography --- African American authors --- Bio-bibliography --- Illustrations --- Bio-bibliography --- Bio-bibliography --- Books and reading --- Biography --- Biography --- Biography
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David L. Dudley explores African American men's autobiographies, starting with Frederick Douglas and moving on through Booker T. Washington, W. E. B. Du Bois, Richard Wright, James Baldwin, Eldridge Cleaver, and Malcolm X.
American prose literature --- Intergenerational relations in literature. --- Autobiography --- African American men in literature. --- Fathers and sons in literature. --- African American men --- African Americans in literature. --- Intergenerational relations in literature --- African Americans in literature --- Fathers and sons in literature --- African American authors --- History and criticism. --- Male authors --- African American authors. --- Male authors. --- Biography --- Intellectual life. --- History and criticism --- Intellectual life
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With this collection of more than fifty pieces on politics, photography, travel, history, and literature, Teju Cole solidifies his place as one of today’s most powerful and original voices. On page after page, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people, and historical moments, taking in subjects from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram. Cole brings us new considerations of James Baldwin in the age of Black Lives Matter; the African American photographer Roy DeCarava, who, forced to shoot with film calibrated exclusively for white skin tones, found his way to a startling and true depiction of black subjects; and (in an essay that inspired both praise and pushback when it first appeared) the White Savior Industrial Complex, the system by which African nations are sentimentally aided by an America “developed on pillage.” Persuasive and provocative, erudite yet accessible, *Known and Strange Things* is an opportunity to live within Teju Cole’s wide-ranging enthusiasms, curiosities, and passions, and a chance to see the world in surprising and affecting new frames.
Essays. --- Aesthetics --- Literature --- Politics and literature --- African American photographers --- African American authors --- African American politicians --- Black lives matter movement. --- History and criticism. --- Baldwin, James, --- Criticism and interpretation. --- Africa --- Foreign relations --- Amerikaanse letterkunde --- essays --- Cole, Teju --- American literature --- #breakthecanon
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Enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals In Archives of Flesh, Robert Reid-Pharr reveals the deep history of intellectual engagement between African America and Spain. Opening a fascinating window onto black and anti-Fascist intellectual life from 1898 through the mid-1950s, Reid-Pharr argues that key institutions of Western Humanism, including American colleges and universities, developed in intimate relation to slavery, colonization, and white supremacy. This retreat to rigidly established philosophical and critical traditions can never fully address—or even fully recognize—the deep-seated hostility to black subjectivity underlying the humanist ideal of a transcendent Manhood. Calling for a specifically anti-white supremacist reexamination of the archives of black subjectivity and resistance, Reid-Pharr enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals, including Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. In the process Reid-Pharr takes up the “African American Spanish Archive” in order to resist the anti-corporeal, anti-black, anti-human biases that stand at the heart of Western Humanism.Enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals In Archives of Flesh, Robert Reid-Pharr reveals the deep history of intellectual engagement between African America and Spain. Opening a fascinating window onto black and anti-Fascist intellectual life from 1898 through the mid-1950s, Reid-Pharr argues that key institutions of Western Humanism, including American colleges and universities, developed in intimate relation to slavery, colonization, and white supremacy. This retreat to rigidly established philosophical and critical traditions can never fully address—or even fully recognize—the deep-seated hostility to black subjectivity underlying the humanist ideal of a transcendent Manhood. Calling for a specifically anti-white supremacist reexamination of the archives of black subjectivity and resistance, Reid-Pharr enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals, including Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. In the process Reid-Pharr takes up the “African American Spanish Archive” in order to resist the anti-corporeal, anti-black, anti-human biases that stand at the heart of Western Humanism.
American literature --- African Americans --- Intellectuals --- African Americans in literature. --- Humanism in literature. --- Afro-Americans in literature --- Negroes in literature --- Intelligentsia --- Persons --- Social classes --- Specialists --- African American authors --- History and criticism. --- Intellectual life --- History
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